麦昆与我

Alexander McQueen had the kind of fashion genius that only comes around once in a generation. He reinvented the catwalk and created clothes that shocked and thrilled his audience.This dramatic and elegantly shot film tells McQueen's story, by examining critical relationships - most significantly with the eccentric stylist Isabella Blow, who was credited with discovering McQueen and making his meteoric rise to the pinnacle of world fashion possible. McQueen and I includes rare footage of McQueen, and unseen interviews with the woman who shared his ambitions and inspiration.McQueen's designs were beautiful, savage and revolutionary, erupting from his frenetic imagination. They catapulted him from tough beginnings in the East End to becoming the darling of the catwalks the world over.From his first graduation show, the hard-up McQueen found a muse and patron in Blow, an exotic aristocrat with a keen eye for talent who would embark upon a fierce campaign to propel the fledgling designer to the forefront of fashion and for his work to gain the recognition it deserved.To Isabella, McQueen was the genius 'who makes clothes fly'. The tempestuous connection between them was of two outsiders attracted by each other's exuberance and rebellious spirit.His striking collections and explosive shows quickly earned him a reputation for controversy and he shocked the fashion world. McQueen challenged every convention: with 'bumster' trousers and lunatic asylum shows, with car robots on the catwalk and Kate Moss as a hologram.Behind the creative drive of both McQueen and Isabella Blow was a darkness that couldn't be kept in check and that McQueen shielded from the public. In 2007, after repeated attempts, Isabella took her own life. One of McQueen's greatest shows was a memorial to her. Three years later and four months after his latest triumph in Paris - his best show yet according to critics - McQueen tragically echoed Isabella when he committed suicide in February 2010.The film-makers for McQueen and I interview friends, models and journalists, as well as his brother and his ex-boyfriend, to discover what McQueen was really like away from the limelight, the pressure that came with his success and how he changed through the rollercoaster years.

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这电影支持师徒不伦恋，简直伤风败俗三观不正，不怕带坏小孩子吗？勾引师父不成，就成魔祸害苍生，咱们凡人欠你的啊？霓漫天有什么错？她只是和女主爱上了同一个人，就因为她没有女主光环，就该被审判？女主瘟神转世，和一群普通凡人打架，是不是有病啊？凭什么女主就是神，其他配角就是凡人，这是高高在上的天龙人在霸凌普通人？为了突出女主的真善美，给女主立人设，就要把所有配角都写这么坏，配角不是人，配角就只是推动剧情的工具？电影里的每个男人都爱女主，女配角都嫉妒女主，这垃圾电影是不

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该剧在保证历史真实性的基础上，通过丰富的故事细节和生动的人物塑造，使得观众能够更加深入地理解南京大屠杀的惨烈和中国人民的抗争精神。

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在这个充满荒诞和幽默的故事中，马寅波为了保住儿子的面子，写了一封才华横溢的代笔遗书。没想到，这封遗书竟然让儿子一夜爆红。马寅波假借儿子的名义，实现了自己逐梦文学圈的愿望，出书、炒作、颁奖，红得不亦乐乎。但儿子的突然醒来，却让整件事情的发展变得越发离谱。这部影片以荒诞的手法，展现了人性的复杂和无奈，让观众在欢笑中深思。

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整体水平比第一步差太多。版权归作者所有，任何形式转载请联系作者。作者：墨渊（来自豆瓣）来源：https:wwwdoubancom/doubanapp/dispatch/review/ 哥哥和嫂嫂是伴随林殊哥哥生命最后阶段且得一子的霓凰，弟弟和那谁是归隐江湖逍遥自在的林殊哥哥和霓凰、外加与心上人相守终生的静妃。如此露骨地拆分合并、整体沿用上一部作品的主要人物、而不进行创新，实在让人提不起收看的兴致。 然而，因为是孔笙的作品，我还是逼着自己看了。结果不出一集已忍无可忍——实在受不了强行“独立自主”、