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Jan Němec's original proposal in 1966 to adapt Kafka's Metamorphosis as a theatrical feature was rejected by the Czech state film board. In 1974, he was forced into exile -- first seeking refuge in Germany:CER: What impact did emigration from Czechoslovakia have on you personally and professionally?JN: I have never emigrated. I was an exile. There is a very big difference. An emigrant is somebody who decides to leave the country, while an exile is chased away, like J A Komenský. In 1974, they wanted to put me in prison, but they gave me a choice, as with Milan Kundera. We were told that the criminal prosecution would be canceled if we applied for a legal departure motivated not by political protest but by a working contract.I took this offer and left the country legally, so I had a Czech passport for another two years. But it was not like traveling. I couldn't come back. If I had, they would have seized my passport and began the criminal prosecution all over again, and I would be in prison. After two years they stripped me of my citizenship. So I have never emigrated and I have never applied for political asylum. I was "stateless," with no citizenship or no legal papers.

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《潜行》这部电影的剧情设计相当出色，每一个转折都让人意想不到，导演巧妙地运用了网络博弈的元素，使得整个故事更加贴近现代社会，增强了影片的戏剧性。同时影片中的动作戏与枪战戏也处理得相当出色，场面激烈，节奏明快，使观众能够感受到紧张刺激的氛围。此外，《潜行》还深入探讨了人性的多面性。在面对毒品、金钱和权力的诱惑时，人们往往会迷失方向，走上不归路，而电影中的角色们，也正是面临这样的抉择，他们既有正义的一面，也有被现实所迫而选择邪恶的一面，这种情感上的挣扎与抉择，

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该剧是一部情感丰富、感人至深的青春爱情剧，夏末和初秋的青梅竹马和抵抗现实的勇气值得观众深刻品味。

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今年到现在为止看过最烂的片子，什么乱七八糟的玩意，你要讲一个爱情故事还是想写现在的年轻人都是渣男烂女？？？？、高中算是懵懂，但是结合男主所谓的吹牛交过多少多少女朋友与结尾女主所谓的初恋只有一个，能够看出当时两人均为初恋，既然互相有好感了，那是年，QQ和手机短信应该算常规化了，两人居然没有个联系方式！！！！我真想问他们平时出去靠什么联络。、时间轴推到年，男主为女主靠大学没问题，可校园里走的对脸儿这女主愣是没看出来他，两年时间能有多大变化啊，就这还号称初恋，连人都

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我愿称之为时隔四年继非自然死亡之后又一部狠狠戳中我的悬疑推理向治愈（？）剧不俗气的人设不俗气的剧情不俗气的感情线 都很喜欢 很喜欢日剧里的那种把善恶模糊掉的感觉 每个人都是一个矛盾体 无论有没有犯罪 每个人做的事总会有自己的理由 当然理由不能成为犯罪的借口 但是这才是真实的人吧 这个世界从来都不是非黑即白。「真相不止一个，也不是两个，三个，而是有多少人，就有多少个真相。但是，事实就只有一个，那就是发生的状况。」