血玫瑰

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.Was the above comment useful to you?

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在这部电影中，周迅饰演的母亲景岚充满了母爱的光辉，她用自己的方式保护着女儿，同时也给了老金坚持下去的勇气。影片通过景岚与老金的矛盾，展现了人性的复杂和多变。

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二刷完毕一刷之后写完了短评和影评觉得还不够到位一直震撼于诺兰居然把一个人物的传记生生拍成了星际穿越和信条一样的大片其实更像是星际穿越你说没有星际穿越和信条那样的本来就够科幻和够炫酷的故事把一个人的生平居然主要是依靠对话就给演绎到令观众如痴如醉的地步有很多理由我给出的理由就是诺兰把握到极致的“光影音”和“把时间剁碎了重新组合”两大法宝而且只有我再特意重复强调“电影”这种艺术形式才会有如此强大的表达能力当然这说明是诺兰的一己之力与电影艺术互相成就了……光

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《坠楼死亡的剖析》，你可以理解为一部欧洲版的《革命之路》。挟着疏离冷峻的阿尔卑斯寒风，吹散萦绕婚姻外壳那是非对错难以理清的迷雾，露出已冰冷的感情僵尸。作为金棕榈获奖大片，它却有着非常易于进入的类型片叙事。悬疑、法庭、伦理、亲子，形式丰富文本扎实节奏准确，试听语言考究，内涵又极其当下具有普世价值。它讲了一个好故事，戏剧性地带领观众剖析了一桩死亡事件，并大概率会引发我们对"婚姻究竟为什么会死?""什么时候死的?""还能怎么救?"这类问题的再次审视。即使没有高概念，没有激进的人物，没有争

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该剧是一部以唐朝初年历史为背景的疑案电视剧，该剧讲述了唐朝贞观之治时期一段充满神秘色彩的故事。其中，一段为缓解旱灾而组织的祈雨祭祀，却被有心之人利用，营造出“千首妖”出没的诡案。聪慧过人的死刑犯独孤也因此被圣上任命调查此案，不料却牵扯出更大的阴谋。这部电视剧不仅具有高度的观赏性，还让观众深入了解到唐朝的历史文化。